颜色
Arkham, 1975 Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel The Colour Out of Space.  brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.  Lovecraft worshippers and devotees of German Expressionism alike, take heed seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
3960
残酷
一个不知名的男人不断地在狩猎和遭受幻觉的折磨,这导致他的暴力天性,正在抓捕妇女并将她们野蛮地殴打致死。与此同时,一个女人用她的刀引诱男人走向暴力的结局。在同样的力量驱使下,让异性受苦,凶手的命运交织在一起。两人必须在一场生死之战中对峙,在这场战斗中,他们被迫揭露他们谋杀成瘾背后的可怕真相。 《Brutal》在视觉上采用了一种有趣的方法,从西方《Grindhouse》电影中汲取了很大的影响,使用滤镜使镜头看起来有颗粒感、破损,以及光线和色彩的波动。不幸的是,视觉样式最终让人感觉被误导了,因为除了应用过滤器之外,它并没有模仿“Grindhouse”类型的任何其他方面。尽管试图弄脏这部电影,但很明显它是用数码相机拍摄的。电影摄影也比大多数“Grindhouse”作品高出一步,广濑隆史证明了他在镜头后有才华。在狭小空间内拍摄的外景镜头都经过精心构图、照明和过渡。在作品之上添加效果的决定损害了电影的形象,甚至给人一种绝望的感觉,试图捕捉观众的某种怀旧情绪,而不是依靠自己的优势。不幸的是,一个创造性的选择会对制作造成如此大的伤害。 《野蛮》的故事简单而有效,它确实试图对男女的暴力本质进行某种社会评论,但它没有提供足够的深度来证明所展示的暴力数量是合理的。这部电影确实以一个有趣的转折结束了一个强烈的音符,一个揭示必然会让一些人感到恶心,同时让其他人轻笑。尽管它的性质很简单,但那些喜欢让他们有些不舒服的电影并享受通过一些极端暴力的挑战的人,“野蛮”在这方面提出了一个有趣和有趣的挑战。
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